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This Kaisi Kali Ankine is an Indian web series of Netflix. The release date of the Hindi language web series is 14 January 2022. It is available for online viewing on the Netflix website and the official app.Yeh Kaali Kaali Ankhein, Shweta Tripathi is the lead artist in the Tahir Raj Bhasin series.

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Yeh Kaali Kaali Ankhein Full Details

Episode Name: Yeh Kaali Kaali Ankhein

Series Name: Yeh Kaali Kaali Ankhein

Season: 1

Part: 1

Type: Web Series

OTT Video Platform: Netflix

Language: Hindi, English,

Release Date: 14 January 2022

Yeh Kaali Kaali Ankhein Cast 

  • Tahir Raj Bhasin
  • Shweta Tripathi
  • Anchal Singh
  • Anant Joshi
  • Sunita Rajwar
  • Saurabh Shukla
  • Surya Sharma
  • Brijendra Kala
  • Arunoday Singh

Yeh Kaali Kaali Ankhein Story

She desires him. But he is madly in love with someone else. Whose love will triumph in the end ? Get ready for this twisted love story like never seen before! Yeh Kaali Kaali Ankhein, premieres on Netflix on January 14th. The plot revolves around a broken relationship. Even after a long period she is broken. As he is forced to marry, the bride understands his issues. Can things be sorted by true love?

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Yeh Kaali Kaali Ankhein review: Tahir Raj Bhasin and Anchal Singh, along with Saurabh Shukla, manage to save a series, the likes of which we have seen more than a few times.



  • Yeh Kaali Kaali Ankhein released Friday 1:30pm IST on Netflix
  • Tahir Raj Bhasin, Shweta Tripathi lead Yeh Kaali Kaali Ankhein cast
  • Yeh Kaali Kaali Ankhein has 8 episodes, between 31–51 minutes

Indian cinema is no stranger to the femme fatale. From Madhubala in Howrah Bridge to Aishwarya Rai in Khakee, we have seen a wide range of top actresses play the charming seductress to perfection. What the new Netflix show Yeh Kaali Kaali Ankhein does differently is that it brings the said femme fatale to a small UP town, surrounded by the politics and violence of the hinterland.

Yeh Kaali Kaali Ankhein review: A tepid tale of love and obsession saved by Tahir Raj Bhasin, Anchal Singh

Yeh Kaali Kaali Ankhein follows the protagonist Vikrant (Tahir Raj Bhasin), an engineering graduate who desperately wants to leave his hometown- the fictitious town of Onkara (subtle nod to Vishal Bhardwaj there). But he finds himself to be the unwanted object of attention and desire of the town’s gangster-politician’s daughter, Purva (Anchal Singh). This turns his life around as he struggles to ward off Purva’s advances and embark on his dream to start a life with his girlfriend Shikha (Shweta Tripathi).

But as interesting as the premise is, the execution falters somewhat. We have seen countless shows set in small town UP-Bihar in the last few years. It used to be refreshing to hear that dialect and see that milieu on screen a few years ago. Now, unless essential, it looks like an easy way to include grittiness in the story. The trope does work in this show to an extent but the problem is that scenes that were intended to be shocking, rarely . We have seen it all before- the murders, the politics, the cops being subservient to gangsters, the bearded henchmen.

The show does give us a refreshing take on obsessive love (or as we should probably call it, harassment and stalking) by turning the man into the victim and the woman into the aggressor. It just needed to do it a bit more intelligently. I wish the show had spent more time in showing the psyche of Purva and her obsession rather than just the random acts of chopping-up bodies.

The story is simple if not subtle. The narration by the protagonist does not do the show any favour. Sometimes, not all needs to be said and one can trust the viewers to decipher what’s happening or what the character is feeling without it having to be spelled out every 15 minutes. The show does keep you engaged though. You are genuinely interested in the characters’ arcs and what is to happen next, even if you can predict it at times.

Saurabh Shukla, Anchal Singh, and Surya Sharma in a promotional still for Yeh Kaali Kaali Ankhein.

The actors are the show’s saving grace. Tahir Raj Bhasin is convincing as Vikrant aka Vicky, the man caught between a rock and a hard place. He brings out the character’s desperation to the surface ably and carries the show on his back. Anchal Singh as show’s titular kaali kaali ankhein is a revelation indeed. She shows that the femme fatale doesn’t need long black dresses and dark red lipstick. She can look just as enchanting in a salwar suit. Full points to her and the show for that. The director chose not to objectify her while still presenting her as a temptress of sort, which is applaudable. Anchal has managed to portray a mix of vulnerability and fierceness quite effectively.

Shweta Tripathi is once again in the Golu Gupta mode as she plays a small-town educated girl caught in the middle of violence. Surely, an actor of her calibre–which she has displayed in Masaan and Haramkhor–can find more varied roles for herself. I do wish we got more of her on screen here. Her chemistry with Tahir Raj Bhasin’s Vikrant and their romance needed to be explored a bit more, considering it is one of the biggest motivations in Vikrant’s life.

The stars of the show are the folks we like to call character actors. Saurabh Shukla as the gangster-politician Akhiraj steals the show. He is menacing, powerful, and comedic at the same time. I struggle to remember when I wasn’t last impressed by a Saurabh Shukla performance. The other star, for me, is Brijendra Kala as Vikrant’s father and Akhiraj’s accountant. As the middle-aged father who is convinced his son is a good-for-nothing idiot, he is hilarious.

Yeh Kaali Kaali Ankhein begins streaming on Netflix from Friday, January 14.

Series: Yeh Kaali Kaali Ankhein

Director: Siddharth Sengupta

Cast: Tahir Raj Bhasin, Shweta Tripathi, Anchal Singh, Saurabh Shukla, Surya Sharma, Brijendra Kala

Tahir Raj Bhasin and Anchal Singh in ‘Yeh Kaali Kaali Aankhen’.

In form, Sidharth Sengupta’s Yeh Kaali Kaali Aankhen assuredly returns to 1990s’ Bollywood pulp in certain ways—scenes are treated with earnest melodrama; even subterfuges are elaborately mapped and explained. The title is a hit Baazigar (1993) song. The title track is a reimagining of the same song, and much of the music, composed by Shivam Sengupta and Anuj Danait, has throwback lilts to the eclectic sounds of 1990s’ Hindi music, overhauled by modern jazz and hip-hop. The porn-producing best friend of Vikrant (Tahir Bhasin), the protagonist—a classic middle-India 20-something with an engineering degree and a humdrum job in sight—accuses him of “Shahrukhgiri”. The story itself has themes that resonate with Baazigar, a Shah Rukh hit that subverted the hero-villain pyramid: passionate romance, the ordinary man forced to confront the extraordinary, rising up to meet the extraordinary, and the sinuous and perilous road to revenge.

Driven largely by plot rather than the inner life of characters, broad themes or the macro landscape of politics and class divide, Yeh Kaali Kaali Aankhen is a romance with gangster genre tropes. Love is either unattainable or attained with coercion. The eight-episode series has the flavour and feel of a pulp thriller, but because it doesn’t quite transcend the good-versus-evil framework in the way the characters develop; predictability rather than thrill—moral or otherwise—defines its arc.

Vikrant is the son of an accountant (Brijendra Kalra) who works for a local politician named Akhiraj Awasthi (Saurabh Shukla). Vikrant’s family is in awe of the Awasthi supremacy based on muscle power, guns and money. Vikrant’s parents serially silence his desire to move away from the shadows of his father’s servility, which Vikrant is ashamed of. Vikrant has the appointment letter for a job far away from home where the series is set—a fictional town similar to Varanasi known as Onkara. He hopes to leave with Shikha (Shweta Sharma Tripathi), his college sweetheart from another caste. His dream remains a dream because he becomes an object of desire for Awasthi’s daughter Purva (Anchal Singh) whose invitation for a friendship Vikrant had rejected when both were in school together. How could both go to the same school? Because, of course, Awasthi did his accountant a favour by getting his son admitted to the same upper-class school. When Purva meets Vikrant as an adult, she is determined to marry Vikrant. The series begins with a line from Othello: “For she had eyes and she chose me.” Vikrant has no choice but to marry her and in the process of being son-in-law to Awasthi, Vikrant loses all that he has held dear. Will a new man emerge in the process of restoring his original bearings? Will Vikrant embrace Dark to counter Dark?

Marzi Pagdiwala’s cinematography, the music and a racy pace keep the momentum going until the last three episodes dwindle into abject 90s’ schlock, hurtling towards the climax that puts Vikrant in a spot of unmitigated jeopardy—something his straight-jacketed brain couldn’t have fathomed. A Season 2 could finally be where Vikrant embraces and embodies the dark avenger reminiscent of Ajay Sharma, Shah Rukh Khan’s innocuously-named character in Baazigar.

Tripathi, as a woman on the run because she and her family are Vikrant’s allies, is a competent actor—but without any shades to the character, she is much less exciting as an actor compared to her run in the film Masaan or even Mirzapur in which she played the role of Golu Gupta. Shukla is in classic Bollywood straight-faced villain mode, and he pulls off the role effortlessly. In his Web series debut, protagonist role, Bhasin (recently seen in the role of Sunil Gavaskar in 83), has a brooding presence on screen. It is a role that ought to require transformative moments, encapsulating suffering, steeliness as well as adaptability and deception. But compared to the promise that Sengupta, also the writer of the series, sets up for Vikrant, he doesn’t transcend the helpless good boy mode. Bhasin has much promise as an actor. In the role of Purva, the most complex and challenging role in the series, Sharma is adept, but without the charm or surprise latent in a character whose very outline spells doom or trauma.

Yeh Kaali Kaali Ankhein Web Series has compelling moments where performance, technicality and storytelling tropes come together for optimum effect. But with excessive focus on plotting, it is a more lukewarm genre-fuser or genre-bender than it sets out to be. The best web series have a cinematic breadth and feel. Yeh Kaali Kaali Aankhen runs like a competent television serial stretched to several hours of a series.

Yeh Kaali Kaali Ankhein Trailer